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The past has a home in the future
Curated by Dr. Annapurna Garimella , 7 November - 6 December 2024

The past has a home in the future: Curated by Dr. Annapurna Garimella

Past viewing_room
  • The Past has a home in the Future

    Dhoomimal Gallery and Connaught Place
    New Delhi, the recently established capital of British India, was designed to have the most stylish, contemporary and central shopping complex, where the finest of goods would serve foreign and Indian elites. In 1936, Dhoomimal Dharamdas, a paper manufacturer and merchant of Chawri Bazar in Old Delhi along with other establishments, set up a store in the newly opened Connaught Place. It is in this setting that Ram Chander Jain, affectionately called Ram Babu, nurtured an art world, laying the foundation of Dhoomimal Gallery. This exhibition, for the first time, showcases Connaught Place as an important site in which politics and cultural production converged, offering both a synchronic and diachronic narrative of the place and people, especially through the story of Dhoomimal Gallery. Structured in three consecutive sections, with archival imagery and artworks, and specially curated objects in textiles, ceramics, visual arts and sound, the exhibition merges the spirit of the place and its persistent creative discourse
  • Making of an Art World, 1930s through the 1960s
    Making of an Art World, 1930s through the 1960s

    Making of an Art World

    1930s through the 1960s

    During the Swadeshi Movement, Dhoomimal Dharamdas of Connaught Place, zealously promoted indigenous industries and craftsmanship. When Dhoomimal Printers was established, it started supporting Indian artists with materials and printing services. Making of an Art World celebrates the establishment of Dhoomimal Dharamdas Printers, one amongst the first to set up at Connaught Place, and with it, the formation of a modern art world in the city. This section focuses upon the residential aspect of Connaught Place and discusses the origins of many organisations dedicated to art, craft and textiles.

  • A. Mitra, Untitled, 1937
    Artworks

    A. Mitra

    Untitled, 1937
    Ink on paper
    8 x 6.5 inches
  • New India's Art, Design and Architecture

    Dhoomimal Gallery and Connaught Place, Independence and After

    After Independence, a zeal to create a new Indian identity and economy emerged and arts and design too became sites for making one. Fresh methods and media began to be explored; simultaneously, recent refugees of the Partition began to make New Delhi their new home, carrying memories of their recent past to start afresh. New India's Art, Design and Architecture, is subdivided into Line, Shape, Movement and Community, each theme emphasising important visual and spatial elements and social relationships between artists and institutions, all of which shaped Dhoomimal Gallery and the visual, performing and built arts in Connaught Place.

  • Line

    Line

    Line looks at artists in the act of drawing from one point to another to create works that are reflections of events and incidents of social and political concerns. Linework dematerialises linearity and enables abstract forms. Even in architecture, line is a fundamental principle. Connaught Place itself is an arrangement and intersection of lines, juxtaposed to form shape and volume.

  • Paramjit Singh, Untitled, 2016
    Artworks

    Paramjit Singh

    Untitled, 2016
    Woodcut
    21.5 x 29.5 inches
    • Jamini Roy, Untitled, 1967
      Jamini Roy, Untitled, 1967
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    • Haren Das, Chiaroscuro, 1962
      Haren Das, Chiaroscuro, 1962
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    • Gogi Saroj Pal, Untitled, 1972
      Gogi Saroj Pal, Untitled, 1972
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    • Krishen Khanna, Untitled
      Krishen Khanna, Untitled
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    • Sadashiv Mashe, Untitled
      Sadashiv Mashe, Untitled
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    • Sudhir Patwardhan, Untitled, 2015
      Sudhir Patwardhan, Untitled, 2015
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    • Amrita Sher-Gil, Untitled
      Amrita Sher-Gil, Untitled
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    • M. A. R. Chughtai, Untitled
      M. A. R. Chughtai, Untitled
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    • Gagan Singh

      Gagan Singh

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    • Anupam Sud
      Anupam Sud
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    • KCS Paniker

      KCS Paniker

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    • Akbar Padamsee

      Akbar Padamsee

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  • Shape

    Shape focuses on objects and artworks that play with dimension, volume and geometry, as well as the imagery of Connaught Place. Inspired by designer Riten Mozumdar's geometric and graphic prints that he created at Connaught Place, the textile designer Rema Kumar - through newly-woven sarees and stoles-reinterprets his lines and shapes. Shape also presents designs, objects and techniques which are engaging with the creation of a modern local, such as the Auroville-based ceramist Puneet Brar's blue tableware which engages the Delhi Blue glaze and ceramics that pioneer studio potter Gurcharan Singh designed and made.

    • Jeram Patel, Untitled, 2005
      Jeram Patel, Untitled, 2005
    • Himmat Shah, Untitled
      Himmat Shah, Untitled
    • K. Laxma Goud, Untitled
      K. Laxma Goud, Untitled
    • Satish Gujral, Untitled
      Satish Gujral, Untitled
    • Sankho Chaudhuri, Standing Form
      Sankho Chaudhuri, Standing Form
    • Hem Raj, Untitled, 2011
      Hem Raj, Untitled, 2011
    • Geeta Dass, Untitled, N/A
      Geeta Dass, Untitled, N/A
    • Hemant Rao, Untitled (Set of Nine), 2007
      Hemant Rao, Untitled (Set of Nine), 2007
    • Jamil Naqsh, Untitled
      Jamil Naqsh, Untitled
    • A. P. S. Easter Raj, Untitled, N/A
      A. P. S. Easter Raj, Untitled, N/A
    • Vivan Sundaram, Untitled, 1984
      Vivan Sundaram, Untitled, 1984
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  • Movement

    Movement

    Pooja Saxena

    'Connaught Place' typeface family, 2024

    Specially commisioned

     

    drawing from archival photographs of shop signages

    Movement

    Movement is about creating motion through sound and visuals, reordering or making one form, medium or a state of mind into another. It also draws attention to the hippy movement of the 1960s, specially with the Beatles visiting India and purchasing their first Indian classical musical equipment from Rikhi Ram of Connaught Place. The discourse on fashion that first began in Connaught Place, reflects in the generational menswear designer Dhruv Vaish's specially curated pieces. Movement also reflects upon the transition from handpainted to digitally produced signages that inspired typeface designer Pooja Saxena to develop the font family for this show, dedicatedly called, 'Connaught Place'. 

    • Copy Of Mg 0991
    • Copy Of Mg 0971
    • Copy Of Mg 1504
    • Copy Of Mg 1450
    • 0J1A0067
    • 0J1A0061
    • 0J1A0071
    • Mg 1442
    • Mg 1450
    • Mg 1467
    • Jagdish Swaminathan, Colour Geometry of Space, 1966
      Jagdish Swaminathan, Colour Geometry of Space, 1966
    • Sushil Sarkar, Republic Day Folk Dance Festival, 1957
      Sushil Sarkar, Republic Day Folk Dance Festival, 1957
    • Biren De, Untitled, 1977
      Biren De, Untitled, 1977
    • Kalyan S. Coll, Heart Lotus
      Kalyan S. Coll, Heart Lotus
    • Bhuri Bai, Untitled
      Bhuri Bai, Untitled
    • Madhavi Parekh, Untitled, 1983
      Madhavi Parekh, Untitled, 1983
    • Jagdish Swaminathan, Untitled
      Jagdish Swaminathan, Untitled
    • K. G. Subramanyan, Untitled
      K. G. Subramanyan, Untitled
    • K. G. Subramanyan, Untitled
      K. G. Subramanyan, Untitled
    • K. G. Subramanyan, Untitled
      K. G. Subramanyan, Untitled
    • Lallan Singh
      Lallan Singh
    • Img 5392
    • Mg 1480
    • Mg 1472
    • Img 0111 3
    • Img 0111 1
    • Img 0111 2
    • Mg 0118
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  • Community

    This section celebrates the artistic bonds that visual artists and designers made amongst themselves with people in Connaught Place. It recalls the cherished moments at the Gallery where artists found lasting friendship. Anwar Chitrakar's 'CP se Prem Se' is a painted visual reconstruction of Connaught Place as an evolving physical, social and urban space. Community also discusses the impact of the Partition and the wars with China and Pakistan, by showcasing illustrations by Veda Raheja based on
    Aanchal Malhotra's book, Remnants of a Separation, and the artist KP Reji's visual stories taken from JCB Prize for Literature awardee M Mukundan's Delhi: A Soliloquy.

    • B. C. Sanyal, Our Politicians (Facing The Camera), 1979
      B. C. Sanyal, Our Politicians (Facing The Camera), 1979
    • Rajesh Mehra, Untitled, 1978
      Rajesh Mehra, Untitled, 1978
    • Damyanti Chawla, Water Woman
      Damyanti Chawla, Water Woman
    • Paramjit Singh, The Garden, 1984
      Paramjit Singh, The Garden, 1984
    • Sailoz Mookherjea, Untitled, 1958
      Sailoz Mookherjea, Untitled, 1958
    • Devayani Krishna, PINK LOCULIA, 1957
      Devayani Krishna, PINK LOCULIA, 1957
    • Satish Gujral, Untitled, 1967
      Satish Gujral, Untitled, 1967
    • Jagdish Swaminathan, Untitled, 1983
      Jagdish Swaminathan, Untitled, 1983
    • Francis Newton Souza, Double Portrait, 1982
      Francis Newton Souza, Double Portrait, 1982
    • 5959 Sk 99
    • 5896 P 6
    • Mg 9821
    • Mg 9824
    • Mg 9820
    • Mg 9788
    • Mg 9797
    • Mg 9786
    • Mg 9790
    • Mg 9795
    • Mg 9782
    • Mg 9784
    • Mg 9781
    • Mg 9792
  • Still

    1984 to the Present

    Still: 1984 to the Present highlights the post-Emergency and liberalisation eras and transformations in art, ideology and design. Artists continued to explore new media and methods of art, adopting abstraction and surrealism. This section presents a unique reflection of the ubiquitous and ever-evolving tehbazari, or street vending, in Connaught Place through a modular corner shop for the arts created especially for the show by the design firm Chaal Chaal Agency. Still questions the notion of time and space, chaos and harmony, through the soundscape produced by the artist Anandit Sachdev, which is played throughout the show.

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    • K. G. Subramanyan, Untitled, 1991
      K. G. Subramanyan, Untitled, 1991
    • K. G. Subramanyan, Untitled, 1993
      K. G. Subramanyan, Untitled, 1993
    • Shobha Broota, Untitled, 2023
      Shobha Broota, Untitled, 2023
    • Kalighat Painting, Untitled
      Kalighat Painting, Untitled
    • K. K. Hebbar, Untitled, 1986
      K. K. Hebbar, Untitled, 1986
    • Bhupen Khakhar, Untitled
      Bhupen Khakhar, Untitled
    • Jeram Patel, Untitled, 2006
      Jeram Patel, Untitled, 2006
    • A. K. Raina, Untitled, 1987
      A. K. Raina, Untitled, 1987
    • Hemavathy Guha, Homogeneity I, 2007
      Hemavathy Guha, Homogeneity I, 2007
    • Himmat Shah, Untitled, 2006
      Himmat Shah, Untitled, 2006
    • Biman Das, Untitled, 1988
      Biman Das, Untitled, 1988
    • K. S. Kulkarni, Sakshi, 1992
      K. S. Kulkarni, Sakshi, 1992
    • Jagannath Panda, Untitled, 2016
      Jagannath Panda, Untitled, 2016
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