Dawn of an Age: Art, Witness, and the Making of Independent South Asia | A Group Show
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Chittaprosad Bhattacharya, Harvest, 1969 -
Chittaprosad Bhattacharya, Mother and Child -
Chittaprosad Bhattacharya, Untitled -
Chittaprosad Bhattacharya, Mother and Child -
Chittaprosad Bhattacharya, Untitled -
Chittaprosad Bhattacharya, Untitled -
Nandalal Bose, Untitled, 1950 -
Nandalal Bose, Boy On Buffalo, 1944 -
Nandalal Bose, Untitled, 1945 -
Nandalal Bose, Untitled, 1946 -
Nandalal Bose, Untitled, 1938 -
Nandalal Bose, Untitled, 1944 -
Nandalal Bose, Untitled -
Haren Das, Solitary Guard, 1948 -
Haren Das, Her pet, 1948 -
Somnath Hore, White on White (Wounds), 1983 -
Somnath Hore, White on White (Wounds), 1983 -
Somnath Hore, Untitled -
Somnath Hore, Untitled -
Somnath Hore, Untitled -
Sailoz Mookherjea, Untitled -
Sailoz Mookherjea, Untitled -
Ramkinkar Baij, Untitled, 1977 -
Ramkinkar Baij, Untitled -
Ramkinkar Baij, Untitled, 1947 -
B. C. Sanyal, Untitled, 1993 -
Sushil Sarkar, Untitled -
Sushil Sarkar, India -
Sushil Sarkar, Avantika -
Sushil Sarkar, Untitled -
Sushil Sarkar, Republic Day Folk Dance Festival, 1957 -
Sushil Sarkar, Bharat -
Sushil Sarkar, Untitled -
Sushil Sarkar, Untitled -
Sushil Sarkar, Untitled -
Sushil Sarkar, Untitled -
Sushil Sarkar, Untitled, Circa 1958 -
Sushil Sarkar, Untitled -
Zainul Abedin, Untitled, 1943 -
Zainul Abedin, Untitled, 1943 -
Zainul Abedin, Untitled, 1943 -
V S Adurkar, Untitled -
V S Adurkar, Untitled -
V S Adurkar, Untitled -
V S Adurkar, Untitled -
V S Adurkar, Untitled -
Sushil Sarkar, Untitled -
Sushil Sarkar, Untitled -
Sushil Sarkar, Untitled
The mid-twentieth century was a turning point for South Asia. Between the late 1930s and the years following 1947, the region faced World War II shortages, the 1943 Bengal Famine, peasant protests, Partition, and the birth of new nations. While history books focus on official documents and national borders, artists captured the actual human experience—the pain, the struggle, and the hope for a better future.
At the heart of this exhibition is art as a direct record of its time. Moving away from traditional studio painting, artists stepped into city streets and rural villages to document colonial neglect and social hardship. Using simple, everyday materials like ink on cheap paper, pastels, and woodcuts—they made urgent visual reports. These works recorded human suffering, but they also showed the quiet strength and dignity of working people. In doing so, art became a key part of the freedom movement, giving voice to the demand for independence.
